OUR HISTORY
In the summer of 1970, Marvin and Jan Klebe bought a
vintage 1908 two-room
schoolhouse, located on
the outskirts of Petaluma. A successful
baritone who had sung with the San Francisco
Opera and had been featured at the Spoleto Festival
of Two
Worlds, Marvin had become disenchanted with the
grand opera scene: there was too little rehearsal
and innovation, and no regard for the needs of
a family. "It was empty for me," Klebe
recalled, "too traditional, very regimented. You
had five days to rehearse and then perform." So
the international opera singer turned his hand
to carpentry and, with the help of his four sons,
transformed the old building into a theater.
Klebe's
goal was to create a performance space for the
local community to collaborate and experiment. He
invited artists from other disciplines to join
him at the red schoolhouse. Dancer Ann Woodhead's
Mercury Moving Company, Marvin's Cinnabar Opera
Theater, and the experimental Quicksilver Theater
Company led by Richard Blake, were Cinnabar's first
resident companies. Each group inspired and
taught the others. Says Woodhead, "It
was a really open, exciting and fluid situation,
a chance to perform new and original works with
a stable group of people." Other companies
and performance artists have since established
residencies. In 1974, Cinnabar Arts Corporation
received its nonprofit status.
In 1983,
drastic cuts in school funding prompted the creation
of Cinnabar Young Repertory Theater. Young
Rep includes a full curriculum of performing arts
classes, workshops, camps and performances for
and by youth. Young performers learn basic
and advanced skills in all aspects of the theater,
from dance to opera and music theater to classic
and contemporary drama and improv. The more
advanced students also learn stage management and
technical operations. Students are featured
in a variety of public performances, including
musicals, Gilbert and Sullivan, and Shakespeare. Cinnabar
Opera Theater also stages commissioned operas written
expressly for youthful audiences, presented to
thousands of school-aged audience members each
year through the auspices of the Sonoma County
Office of Education and Marin Youth in Arts.
The
theater itself was expanded in 1983 to accommodate
a growing audience, and in 1988 the studio was
added because teaching had become a priority. Marvin
added the Petaluma Summer Music Festival that year
as well, inspired by the festivals he had participated
in elsewhere, and by the dreams of Nina Shuman,
who had joined him in 1986 as Music Director for
the opera company. The Festival is a three-week-long
affair featuring World Music, Candlelight Concerts,
fine classical and chamber works, including operas
for both adults and children; much of the
programming is heard in Sonoma County for the first
time.
On
May 22, 1999, Marvin Klebe lost a yearlong battle
with cancer. Although he is no longer physically
with us, he left a great legacy, for he was a great
man who walked a number of diverse paths and walked
them all with passion, enriching the lives of all
who knew him and his works. Cinnabar Theater
continues under the stewardship of Marvin's friend
and protégée Elly Lichenstein, his
wife Jan, and his son, Technical Director Aloysha
Klebe. They and their many colleagues and
supporters will ensure that Marvin's unique mission
will be realized for generations to come.
Cinnabar Theater is the only venue that produces
opera and musical theater, dramatic theater, chamber
series, dance and special festivals in Sonoma County.
It strives to present the finest new, experimental,
and traditional performing arts, in an intimate
and ultimately passionate and meaningful manner,
with the purpose of keeping us all in touch with
what it means and what it takes to be a human being. |